The Graveyard of Dead Dreams – A Mini Opera

A lyrical mini-opera about loss, regret, and the quiet duty of nurturing hope in others.

____________________________________________

Legend tells us that away from the hustle and bustle of life and beyond the light of the setting sun, there is a forest — the emerald forest of imagination. Deep within this forest is the silver pool of glimmering desires.

Surrounding the pool are the grey boulders of regret, and on one of those boulders, sat an old man dressed in a tattered black robe. He held his head within his palms and was pulling on his grey hair in anguish.

‘Oh! I had a dream, and that dream just died

Oh! My poor dream has breathed her very last

‘But where has my poor dream vanished?’ He cried

You must know, you’re my Present and my Past’

____________________________________________

The Past was an old man dressed in moving shadows, while the Present was a young woman dressed in brilliantly colored flowers. They looked at each other with despair darkening their eyes and then addressed the mourner.

‘Your dream is dead as you say, you poor old man!

Death is the beast that is cruel to all and spares none

She has been taken to a graveyard as per the plan

We share your pain but are afraid, nothing can be done’

____________________________________________

The old man raised his head and looked at them in turn, dark sadness permeating his soul. Then, forcing his tears back, he asked:

‘And where is this graveyard of the dead dreams?

I have never heard of it; it’s probably just a story

But if real, I want to know how it really seems

I want to see my dead dream and lament her glory’

____________________________________________

The Past and Present thought for a moment and then spoke in harmony once again.

‘Far away from the dazzling dimensions of existence,

hidden in gloom, lies the graveyard of dead dreams

It borders a quiet lake and is visible from a distance,

and if you try hard, you can hear the silent screams

Filled with many graves, both large and small,

there are even some black urns filled with ashes

So many pretty flowers to be found even in the fall,

and also broken pieces, whatever this life trashes

Sitting at the broken gate, there is the old keeper,

his head is grey, and his eyes are filled with sorrow

All lonely and tired of his vigil against the grim reaper,

hope is something so far off, he can’t even borrow

‘What’s there to guard?’ he is often asked to elaborate

‘They are just broken dreams, need no looking after

They are all dead, you see, so what do you await?’

The people don’t try to hide their taunts and laughter

‘You are of course, right, and I do not blame you’

The old man says with shadows lining his brow

‘But, they are my sleeping children, it’s my view;

graves are their beds, where flowers need to grow’

____________________________________________

The old man heard all this with silent somberness and then left in search of the graveyard.

He walked and walked and then walked some more,

through the valleys filled with dark pain and loss

He looked and looked and then looked some more,

for the forgotten ruins covered in green moss

He walked and walked until he could walk no more,

his heart grew heavy, and his feet bled raw with each stride

He looked and looked until he could look no more,

his spirit lost its resolve, though he determinedly tried

And then one day, when he was about to quit his quest,

he at last reached the graveyard, that of the dead dreams

He just turned a corner and saw it from afar, due west,

the graveyard beside the silent lake, alive with screams

____________________________________________

He carefully approached the ancient custodian, who was quietly smoking an old pipe. On hearing the footsteps, the custodian raised his head and looked questioningly at the old man, his piercing blue eyes peering out from between the silver strands of hair.

‘What do you need, son? This is no place for the living

You look miserable, though, as if you are dead inside

What is that you seek? Or what is it that you bring?

You are all broken, though you hide it well with pride’


Hearing this, the old man fell at the Custodian’s feet.

‘Misery…yes! Broken ….Yes! But there is no pride

I am just here to see my dead dream one last time

My dream was my child; for her, I have always cried

I reared her with my blood; alas! She died in her prime’

____________________________________________

The Custodian was touched by the old man’s pleas, but he was helpless.

‘What you say wrenches my heart, I assure you, son

But I cannot do anything; your dream is gone forever

Yes, you can place flowers on the grave and mourn,

but you cannot caress its forehead and see it never’

____________________________________________

The old man gripped the Custodian’s ankles, and his tears fell in torrents.

‘Have mercy on me, I don’t want to abandon my child

She was my only possession under the lofty skies

Let me sit by her side amidst the flowers growing wild,

mourning the loss of her smile and the shine in her eyes’

____________________________________________

The Custodian thought for a moment and then, holding the shoulders, raised the old man to his feet.

‘Tell me, son, are all your dreams dead or just this one?

If you had just one dream, are the others’ dreams dead too?

Go nurture them, as all dreams become gold under the sun

Go nurture them, as to everyone, their dream is the one true’

‘Now you know the value, when your own dream is dead

Now you know how it feels, the loss of your dearest dream

Go and nurture the dreams of others, and pat their head;

make all those dreams come true and solace, you will redeem’

Gamayun and the Child of Autumn – A Dialogue

Note: Within first the Iranian and then the Russian folklore, Gamayun is the symbol of knowledge and wisdom. In the myth, she appears in the form of a prophetic bird, who resides on a lonely island situated somewhere in the east. As she knows everything about the true nature of human beings, gods, creation, and eternity, her prophecies are divine and magical – though difficult to comprehend and understand.


The night is silent and Gamayun sits atop a lonely rock, looking down on a landscape of magical lights and dark smoke. A gentle breeze is blowing from the northeast, carrying faint shades of some long-lost and ancient fragrance.

Suddenly, she senses a presence – there is someone beckoning her attention from the shadows. Gamayun raises her hand and commands:

Come forth! O child of misery and gloom; 

step forward and seek, even if it is your doom

Come forth! O dweller of grey desolation;

Beg for wisdom, if it’s of any consolation

The presence crawls forward, his tired knees digging deep grooves in the sand. He grabs hold of Gamayun’s feet and cries his heart out:

O Gamayun! The wise and the knowledgeable;

here I am, laying all my cards on the table

O Gamayun! The herald of divine prophecies;

all my dark visions unfolded, terrible atrocities

O Gamayun! Spread your golden wings in the sun;

for I am desperate and making my last run

O Gamayun! Behold my pain and tell me what I ask;

see this darkness, it is very real, it is not a mask  

Of all the God’s children, I am the child of autumn;

the failure is so terribly deep, that there is no bottom

I am not alone I know, yet unique in what I need;

I feel like a hollow dead tree, with neither fruit nor seed

It is not that I demand either wealth or riches or gold;

I just beg that my dream be fulfilled, single and untold

It is not that I ask for life everlasting or a great power;

I just implore that my heart be happy, not bitter or sour


Sensing the man’s anguish and hearing his plea, Gamayun bends down her head and thinks for a while. She carefully prods her heart but finds nothing but dark tidings. She finally raises her head and whispers back:

You have come from afar – have my sympathies with you;

my heart weeps for you, yet there is nothing I can really do

Having asked your question, you have unburdened yourself;

your cause is lost, and what to tell you, I am lost myself

Of all the God’s many children, you are the most despised;

He made all his children out of love, all of them prized

You dream in vain, you cry in vain and you beg in vain;

He carved you out of sadness, dark soil, and cold rain

He hates you with a vengeance so very terrible and dark;

His distaste for you is so very naked and so very stark

He looks at you with pity though, the most what He can spare;

you may die or you may suffer, that He doesn’t at all care 

Being a child of autumn, it is a dark curse you carry;

you will always be sad and you will never be merry

It is your burden and your fate, how dark it may seem;

abandon all hope, you will never get what you dream


Up there, sitting on His golden throne, God listens to all and smiles a tired smile. He is the wisest of all and the most powerful. Yet He is lonely because his wisdom goes beyond the understanding of mortals. He looks down kindly upon the child of autumn and his heaving shoulders; and whispers softly:

‘O Child of Autumn – you tread a treasured path;

yet you are blinded by grief, your fate a bloodbath

Of all my children, you are the most blue-eyed;

all my children are loved, you are the most prized

You dream in my way; an immense imagination;

I carved you out of wisdom, foresight, and adoration

I love you with an intensity, so very focused and clear;

it might appear as abstract, but I hold you so dear

I make you feel the pain and the agony of all others;

so you may suffer the suffering of your brothers

Being a child of autumn, it is not a curse you carry;

it makes you all patient so that you don’t tarry

It is not a dark burden, but a blessing filled with light;

with understanding comes wisdom, lofty and bright

Go in peace my child, go and serve the world and life;

you will grow and learn to walk the edge of a knife’ 

#English #poetry #poem #opera #Gumayun #God #misery #anguish #path #life #test #kindness #life #death #wisdom #help #love #light #darkness #curse

Am I Good Enough for You? (A Mini Opera)

galatea_and_polyphemus_by_thesecondbus_d7y0cde-fullview-1

This is the final dialogue between the miserable and desperate Polyphemus, and the idealistic Galatea - the helpless lover and the arrogant nymph.

Myth says that once upon a time, even before the birth of time itself, the Cyclops Polyphemus saw Galatea, the nymph, and fell in love with her. But there was a dilemma as he was large and ugly, while she was a perfect beauty. No matter how much he loved Galatea and no matter what he sacrificed for her, she did not accept his love. Finally, doomed and cursed, Polyphemus threw rocks at Galatea and her lover. As a punishment, he was transformed into a river destined to flow amongst the wild mountains forever - alone and miserable.


‘With a heart filled with love and my words so true,

am I good enough for you?

With my mind fixed on you and my soul without a clue,

am I good enough for you?’

He asks Galatea while the shadows of doubt line his single dark eye.


‘No, I am afraid not!’ She smiles at him coldly, untouched by his bitter misery.

‘No matter how hard you try,

you may scream or you may cry

No matter how long you try,

you may bleed or you may die

You’ll never be good enough for me

No matter how high you fly,

you may kiss the earth or may reach the sky

No matter how sincerely you pry,

you may shout or you may sigh

You’ll never be good enough for me’


‘But what if I change, and what if I transform?

What if I become the sunlight after a storm?’

He pleads with eyes filled with all the sadness in the world.

‘No, still no!’ She replies adamantly with steely resolve gleaming in her blue eyes

‘Even if you change and even if you evolve,

from a thorn to a rose, you may transform

Even if you become godly,

and God Almighty Himself approves your form

You’ll never be good enough for me

Even if you evolve

to all my rules, you may conform

Even if you become Adonis,

and loving you becomes a norm

You’ll never be good enough for me’


‘And why is that so?

Why a strict adherence to status quo?’

Looking down, he asks, dejection underlining his desperate whisper.

‘Well that’s a good question.’ She looks at him with pity.

‘You don’t matter,

and you don’t matter at all

Whatever you may do,

either very big or just very small

You may bang your head,

against a high stone wall

You may bloody your fists,

you may stand or may even crawl

Whatever you do is useless,

and you will always fall’


‘Then what should I do?

For my love is so true!’

Polyphemus raises his arms and begs till he is hoarse.

‘That is but for you to decide!’ Galatea decrees with finality — her voice etched in stone.

‘You may die a lonely death,

or you may burn forever

You may fade with the harsh wind,

or you may pray to whomever

You may make great plans,

or you may do something clever

You may aspire big and grand,

or you may rise to whatever

Whatever you do is hopeless,

and I will be yours, oh never!’


‘Silence! You, the wretched lover!

Silence! Yo,u the arrogant queen!’

The skies go dark, and the voice of Zeus booms from above.

‘Quit this nonsense, let your arguing be done

Love is a godly trait, and not a race to be won

You are both mistaken, individually and as one

You are both misguided; logic is what you shun

The capability to love is what’s desired by everyone,

an unfulfilled dream, under the moon and the sun

Polyphemus! You can love, you will be a god in the long run

Galatea! For denying true love, my blessings for you are none’