Who Gives a Shit?

A brutal, unapologetic poem about meaning, indifference, and the absurdity of existence.

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Who gives a shit if we win or if we lose;

or if we go free, or if we tighten the noose?

We are all here to walk for only a while,

some walk for ages, and some for a mile

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Who gives a shit if you remember our deeds;

or forgotten by all for whom we sow the seeds?

We are all here to do our own part,

some make it a burden, a few make it an art

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Who gives a shit if we remain forever chaste;

or if we surrender to lust even with distaste?

We were blessed with pleasure by Him;

we must follow its fulfilment at a whim

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Who gives a shit if we walk a virtuous path;

or if we love what’s forbidden and invite His wrath?

Sins are seductive, and virtue is so boring;

to walk straight is dull, and so indulging is the whoring

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Who gives a shit if we are as moral as the prophets;

or if we favour immorality because of huge profits?

Comfortable is what this life is supposed to be;

luxury is what we should all pursue with glee

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Who gives a shit if we believe in one or more gods;

or, if we choose to be faithless and don’t bet on odds?

We may decide to be a herd without a shepherd;

but in a race for survival, we need to be the leopard

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Who gives a shit if we ever get what we want;

or if we fail and are ready to face each taunt?

When we get lucky, we should thank our stars;

when we miss the mark, it was never ours

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Who gives a shit if we are as selfless as we claim;

or if we are all selfish, playing our own game?

Life is so merciless, as we have all lived and seen;

on the other side, it is always brown and never green

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Who gives a shit if we keep on living for long;

or if we die tomorrow, being crushed by a throng?

We didn’t matter at all, we never really mattered;

our dreams of grandeur should be all shattered

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Who gives a shit if all goes quiet when we die;

or if it all restarts and we are born anew with a cry?

One cycle or one after another, a sequence or progression,

we may all be one or a part of a large procession

Self-flagellation: The Last Highway out of Hell

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This is not redemption—it is penance without absolution.

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He whips himself, he whips himself very hard,

his silent screams, hiding behind an ugly grimace

The cat-o’-nine-tails screams like a mad banshee,

the knots striking in a frenzy, a blood thirsty race

Each lash is a tribute, a homage to a specific memory,

a black hole in the whole black and vast space of life

Each stroke exposes a white pulsating nerve,

a silver snake writhing under a very sharp knife

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He hurts himself, he hurts himself so real bad,

drawing crimson patterns across his naked back

The skin breaks, and ruby drops appear one by one,

thickening, congealing, stinking, and turning black

The flow of blood sometimes turns into a rivulet,

drops transforming into streams, streams into creeks

Crimson spatters his bent shoulders and the spine,

tracing the paths of pain and the punishment it seeks

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He makes himself suffer; he suffers for very long,

feeling the whip slither within the stinking, thick slush

The skin is no more, his back is all but raw flesh,

but his overpowering regret, the whip fails to crush

‘Oh! Why do you punish, why do you hurt yourself?’

the Devil asks him with a mockingly soft sympathy

And God, He just turns his face away in disgust,

there is no place for him in His great hall of empathy

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‘I walk the path of pain, I have chosen it for myself,’

he answers and grips the whip firmly and caresses it

‘I penalize myself, I pass each judgment harshly,

I condemn myself; the fire of misery is always lit

Self-flagellation is my penance for sins so many or few,

it is a dark journey, and I have been travelling ever since

Self-flagellation is the last highway out of my own hell,

while my soul burns in agony, I remain the exiled prince’

A Dialogue with the Darkness (Previously, the Darkenss Within)

When the self turns inward, the sharpest blade is awareness.

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I want a sharp knife;

the sharpest of all I have ever seen in this life

A knife with an ivory grip and a gleaming edge;

engraved with obscure ruins, carrying a death pledge

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I want to plunge it into my belly;

slicing it across, all through the quivering jelly

Cutting open myself and savoring the soothing pain;

smelling the oozing blood and enjoying the red rain

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The steaming guts will spill out;

and so will the coldness, without a doubt

I want to confront the coldness under my skin;

I so want to face the raging darkness within

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I want to feel their texture and what makes up my core;

the ice-cold mercury seeping out of each pore

I so want to sense their force, so binding and so freeing;

their powerful darkness vibrating in my being

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I want to question them all, the unanswered queries;

hanging in balance, the forever silent juries

I want to challenge them all, the reservoirs of valor;

forever loud but hollow, the reds masking my pallor

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Why do you reside within me?

Perhaps two despising lovers smiling with glee?

Or are you sent by my respectful adversaries,

not really bothered, and just two emissaries?

The memory of pain

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Pain does not end when the wounds heal. Instead, it survives as memory, breathing through regret.

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The memory of pain perhaps causes more pain,

when all was exposed, an artery and a vein

The exposed nerves kissed the cruel air;

while the dark, flowing blood, left a stain

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The memory of pain is walking the road of regret;

each step burdensome — breath, blood and sweat

Kicking small clouds, dust of old guilt,

the downward journey is certain and all set

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The memory of pain is smelling the stink of loss;

the rainclouds have long gone, as speaks the moss

The body breathes on, drawing in the poison;

soul becomes the victim and is hanged on the cross

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The memory of pain is an assault on the senses,

the heart is filled with misery, thinking of pretences

All exposures and encounters, victory of the ego;

the eyes fill with tears, surrendering all defences

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The memory of pain is what keeps some alive;

breathing and moving, trying to survive

With each dawn, there is hope, salvation or damnation;

the wait is balanced delicately on the edge of a knife

Chronicles of a Pessimistic Optimist

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Between hope and despair lies a grey hall filled with regret and guilt.

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I have always been a pessimist and also an optimist;

my life is a grey hall, filled with a rainbow mist

My past had been dark, and my future seemed so bright;

the night had been dead, but I said, long live the light

Yet my thoughts had been honest and so very true;

my mood had always been the darkest hue of blue

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I push open the window and scrutinize my past;

I recall everything clearly, the first and the last

I see so many butterflies riding the sunbeams;

some ugly and the others pretty - nightmares and dreams

The womb was very warm, and it was so secure;

but the shelter was a curse when the doom seemed sure

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My memories, when I open the old, musty book;

time had passed so fast, like a fast-flowing brook

Faces and images always passed by in a hurry;

my nostalgia was always chaos, even the chaos was blurry

Within this chaos, bitter conflict had always been a must;

all the treacheries of life and only a little bit of trust

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I have been the prophet of hope and a seer of visions;

but my regret is so bitter for all the bad decisions

The wounded birds, I always made them fly again;

but each time they left a parting gift - a cold pain

I cannot be a savior; it was just a false belief;

there was no pleasure in the pain, just cold, dark grief

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I treaded new paths, and also the dark forbidden places;

roaming in the spirit of adventure, leaving dark traces

Sin appeared to be the wisdom, and virtue seemed bland;

the sense of curiosity kept on burning and was so grand

Desire was the clear water, regret was the muddy silt;

but I always paid the price in the soiled coins of guilt

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Desires were sirens, they bewitched and seduced;

wishes were the flames, but to dust they were reduced

Hope always lived on, but she is a devious bitch;

and disappointment has been so abundant and rich

Wisdom came leisurely; it danced a slow waltz;

the pessimism was true; the optimism was always false

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Life is always a glass half-filled; it is quite right;

darkness always sighs with a promise so bright

Sorrows and joys in a long and tiring queue;

but more of the former than the latter, it’s also true

Within each light, resides a dark shadow;

perched on every tower of hope is a black crow